Fayzulla Khodjaev Museum

 Making a trip to Uzbekistan, to one of the most mysterious cities – Bukhara, do not neglect a chance to visit Fayzulla Khodjaev Museum.

House-Museum of Fayzulla Khodjaev, located in the old part of Bukhara, in Goziyon neighborhood, is the bright example of the architecture of the XIX century. Fayzulla Khodjaev Museum memorializes one of the eminent politicians of Uzbekistan, whose active work fell on the beginning of the XX century.

Fayzulla Khodjaev, is, undoubtedly, a key politician figure of Uzbek history of 1920-1930. His fantastic career and tragic final left many ambiguities, covered with discrepant myths of the XX century.

Fayzulla Khodjaev, a native of Bukhara, belonged to the richest people of Bukhara khanate. At the end of the XIX – beginning of the XX centuries there was a state of classical Asian monarchy headed by the amirs of Mangyt clan under the protectorate of the Russian Empire.

                          


 





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Art gallery

Изображение
  The history of the building. The building was constructed in 1912 by the local masters Hoji Abdurahim Hayatov and Abdugafur Karaulbegi under the guidance of the Russian engineers Margulis and Sakovich. The first floor of the building housed Savva Morozov's shop. On the second floor there was the branch of the Azov-Donskoy bank. From 1920 up to 1982, this building had placed the department of the State Bank (Gosbank) and other organizations. The history of the fine arts museum. Since 1982, the building has been a place for remarkable fine arts collection. The museum consists of the following exhibitions: The "Painting and Graphics" exhibition was established on the basis of painting, graphics, and sculpture collections. The exhibition is represented by the works of the Russian artists P. Benkov, Kurzin, and Vilkovir, who visited Central Asia in the late 19th and early 20th centuries. It also displays the miniature paintings by Ahmad Donish, the famous Bukharan educator
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Jõybor madrasah

Изображение
  Joybori followed the ancient tradition in the construction of the Kalon madrasa.  The miyansarai is entered through a gate inside the luxurious peshtak.  To the left of Mionsaray is a mosque, and to the right is a series of rooms and pillapoyas that lead to the roof.  The madrasa has one floor and 21 rooms.  The possibilities are wide.  The cells are connected to each other through roof domes.  It is connected to the street and the stage by light-filled domes.  There are nodal grids that allow light to enter the street and the stage.  The wall of the inner courtyard of the madrasah is unadorned.  The surface of the rooms and the doors are decorated with obi brick sections.  In the middle of the yard there is  an obrav  - a path through which waste water falls.  There are three outer rooms in the left wing wall of Peshtok.  The walls facing the street are decorated with arches.  There is a bouquet on both sides of the peshtok, there is no flower in the bouquet.  The decoration of the
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